Procedures for Intervention in Restoration Works in Painting on wood- FaULisboa-Márcia Hazin

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This is a PhD Thesis underway at the Faculty of Architecture of the University of Lisbon;

THE DOORS OF HEAVEN IN THE NEW LUZITÂNIA OF THE 18TH CENTURY

(Analysis and Classification of Colors of Ceilings Painted in Monuments

Nationals in Pernambuco - Brazil)

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1

What's your nationality ?

2

In which region do most of your work ?

3

What is your educational level?

4

What was the period of the last work of restoration in painting on wood?

5

Do you know the restoration theory of Cesare Brandi?

6

If you answered YES above, what aspects of Cesare Brandi's theory do you consider in your works?

7

Do you know the work of Giovani Carbonara?

8

If you answered YES above, what aspects of Giovani Carbonara's theory do you consider in your work?

9

Do you know the work of Salvador Muñoz Viñas?

10

If you answered YES above, what aspects of the theory of Salvador Muñoz Viñas do you consider in your works?

11

Your Restoration experience time on wood paintings, can be quantified in;

12

What is your theoretical basis for the interventions you carry out?

13

The reversibility of a material asset depends on many circumstances unrelated to the product used, and it is more prudent to think in terms of the degree of reversibility that a given material has when applied through the process in a specific object (VIÑAS, 2003). Do you agree with this statement?

14

What values do you consider in a restoration project?

15

According to Viñas, the concepts of integrity and authenticity must be reinterpreted in relation to the concept of significance, since objects will always be authentic when analyzed from the point of view of their physical and material characteristics., Do you agree?

16

Do you consider the influence of environmental conditions on your restoration works?

17

Giovani Carbonara reflects on the current scenario concluding that there is a lack of unity of method between restoration and new design, focusing on the need for specialized knowledge of theories of restoration, architectural criticism and concepts of philosophy to confront conservation actions " Do you agree?

18

Check the procedures below that you use for initial and diagnostic interventions.

19

For the procedures used in the method, check the ones you use.

20

Do you consider it important to classify the existing colors in the work in an international color classification system?

21

How do you define the hue of the pigments to be used in the work?

22

Do you usually advertise your work on the internet?

23

Would you like to have a specific repository on the Internet for this type of restoration?

24

Would you like to present some work done in painting on wood at a seminar in the city of Recife / PE, Brazil?

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